That fact doesn’t take away from how genuinely effective the first 20 minutes or so of Inside are. The places Inside eventually goes aren’t nearly as interesting as its first act suggests. From that point on, Nemo’s desperation to survive only continues to grow until he’s willing to not only eat dog food, but also scale dangerously high stacks of rearranged furniture on the slim chance that they might lead him to freedom. Abandoned by his fellow heist members, Nemo quickly begins to realize that his out-of-town mark’s apartment has now become the prison he may very well die in. Vesper review: an imaginative sci-fi adventureĮverything goes wrong when a system malfunction triggers the apartment’s highest security measures, which not only seal Dafoe’s Nemo inside behind impenetrable steel doors and bulletproof glass windows, but also shut off the penthouse’s electricity and plumbing. Over the course of its prologue, viewers watch as the film’s central art thief, Nemo (Willem Dafoe), infiltrates a high-security NYC penthouse owned by a renowned artist and begins looting some of the paintings and sculptures that are scattered throughout the apartment.ĭecision to Leave review: An achingly romantic noir thrillerĪmsterdam review: An exhausting, overlong conspiracy thriller The drama’s opening minutes set it up to be the kind of bare-bones, but efficient heist-gone-wrong thriller that it most definitely is not. The film, to either its credit or its fault, tries to keep the surface-level depth of its story hidden for as long as possible. The film is ultimately just as shallow as the ankle-high pond that sits at the center of the New York City penthouse apartment where Inside’s story unfolds. In fact, outside of the commendable, go-for-broke performance at the center of it, there’s not much about Inside that’s worth recommending. Unfortunately, Inside fails to offer a satisfying answer to that question. Its displays of filth and madness grow over the course of its story until they reach such absurd lows that they’ll have you questioning what the point of any of it was in the first place. Inside is, in other words, a cinematic endurance test. For nearly two hours, Katsoupis and Hopkins ask you to sit by and watch as one trapped art thief is forced to lower himself to his most animalistic standards in order to survive. The film is, instead, a test of not only its character’s patience, but also the audience’s. Despite what its trailers might have you believe, Inside isn’t much of a thriller, either. The film, which comes from director Vasilis Katsoupis and writer Ben Hopkins, is a self-contained descent into the mind of one man who finds himself trapped in the most absurdly suffocating, bourgeoisie of settings. That isn’t a bug so much as it is a feature, though. Fitbit Versa 3Ī disappointing lack of tension throughout
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